Above all, we both paint. I have a lino print that she made from one of her son's drawings of sharks watched from the jetty at Broome, WA, when they lived there; she has an oil still life that I did a hundred years ago for my first exhibition ever, when I lived on a Darling Downs farm.
Highly Commended, Michelle Dawson, Sparrow Man |
The Tweed River Gallery is such a marvel - we had gone there to see the Stuart Cussons exhibition, that included an exquisite hand-made book reverencing his father, but there was also an extraordinary collection of 50 printmakers' works by a collaboration of Chinese and Australians, and the Portia Geach Memorial Award for 2011: an incredibly diverse range of portraits by contemporary female artists.
For me though pick of the pack was "Bessie Gibson: an artistic life". My mother feels that my grand-father knew Bessie from his time at Brisbane Technical College, and her work speaks of that earlier era of dynamic Australian female artists. And also has something of my grand-father's feel about it - the palette as well as the gestural brushwork of her larger oils.
Bessie Gibson, Untitled (Lady with Pearls), oil on paper |
I came home feeling a little challenged, wonderfully stimulated, and utterly refreshed - although that last might have been partly to do with a nice long drive in My Lovely Car's air con too, with Brisbane rejoicing in a typically sultry February!
Have happy days!
And what a lovely way to spend an artist date!
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