Saturday, March 10, 2012

¡VIVA! [II]

Photo by Danielle Wood  (Manx Minx)
Opening night of the Viva la Frida exhibition was a scintillating success for the organisers - the Circle Gallery was packed to the rafters with floral hair-do's and sombrero-ed musos, which was not only gratifying for the 28 participating artists but also fiscally rewarding for fund-raising efforts benefitting the Women's Legal Service on the eve of the International Day of Women.

Win-win-win-win-win no less!


I'm heading back this morning for a quieter look after a family breakfast. The show continues for the rest of the week and is open daily, 10-4.

For me personally it was special to get a new portrait finished, framed and hung. I've struggled with painting for the last few years so inched my way back into this time by reverting to a childhood technique of oil crayon and water colour tin...an investment sans frame of about $15 in materials including the matt board surface from Reverse Garbage. The box of coloured derwents came out for finishing touches, and voila...!

Viva! (Stephanie Morris)
Love, love, love making do technically - love that it's possible to make art with whatever's to hand if the spirit takes you.

Looking forward to more art in the months to come after a long break, and more opportunities to find the overlap between art-making and crafting.

Have happy weeks!
More wimcee exhibits: mini monkey and cantina cushions.

Sunday, February 26, 2012

VIVA



On the 9th March I'm taking part in a mixed exhibition called "Viva la Frida" at The Circle Gallery, Westend. It will run for a week, and features the work of more than 25 local artists and craftspeople. Associated workshops are being organized by The Art Shed.




This show has generated enormous excitement amongst those I know who are involved. Everyone knows, or should know, Frida Kahlo - that Mexican artist with the monobrow who painted many portraits of herself in a part naïve part surrealist style, often incorporating animals, flowers, fruit and other symbolic embellishments in her work.




Working with Frida as inspiration has been like a license to embrace colour, pattern, and exotic imagery. Others in the project have spoken of feeling like they are channelling the muse and it is a bit like that. Kahlo is admirable for her feminist attitudes, her political activism and her stoicism in the face of considerable physical pain and ill-health. Her work is distinctive, beautifully structured, always interesting, heart-felt, and undeniably strong.




As a person she was attractive (the famous mono-brow not withstanding), sensual, nymph-like (especially when seen in the company of her husband, fellow-painter Diego Rivera, and a charged-up representative of her culture, making a fashion statement of frills, beads, shawls and colour.
File:Frida Kahlo Diego Rivera 1932.jpg

I'm contributing a variety of pieces: clothing, accessories, and a painting. At this stage my only complete work is a heavily embroidered, beaded and appliqued soft sculpture: Monkey Magic.



If you are a Brisbane local join the fiesta frenzy at The Circle - from 6 p.m. on the 9th there'll be Mexican music, wine, and nibbles, with gold coin donations benefitting the women's legal service (in the Frida spirit) so that we can all get in on the chic-a channelling process.                                         
                        Until next time:  ¡adiós!








Sunday, February 12, 2012

Memory Lane

Memory lane can be a pleasurable, sometimes poignant, even a little challenging place for an amble. Last week I caught up with a friend who I haven't seen for perhaps 15 years - she lives in Murwillumbah, and we spent our time at her local, the extraordinary Tweed River Gallery. Trish and I have never been close friends because we've never lived for long in the same place, but our paths keep crossing and we share mutual passions, acquaintances, and some similar life experiences.

Above all, we both paint. I have a lino print that she made from one of her son's drawings of sharks watched from the jetty at Broome, WA, when they lived there; she has an oil still life that I did a hundred years ago for my first exhibition ever, when I lived on a Darling Downs farm.



Highly Commended, Michelle Dawson, Sparrow Man
The Tweed River Gallery is such a marvel - we had gone there to see the Stuart Cussons exhibition, that included an exquisite hand-made book reverencing his father, but there was also an extraordinary collection of 50 printmakers' works by a collaboration of Chinese and Australians, and the Portia Geach Memorial Award for 2011: an incredibly diverse range of portraits by contemporary female artists.

For me though pick of the pack was "Bessie Gibson: an artistic life". My mother feels that my grand-father knew Bessie from his time at Brisbane Technical College, and her work speaks of that earlier era of dynamic Australian female artists. And also has something of my grand-father's feel about it - the palette as well as the gestural brushwork of her larger oils.

Bessie Gibson, Untitled (Lady with Pearls), oil on paper
Bessie Gibson, Untitled (Lady with Pearls), oil on paper
I think we all need the odd day out of our usual lives like that, and an amble down Memory Lane. My friend Melanie from Kimono Reincarnate talks about the pleasure of keeping art dates with yourself, and I enjoyed meeting up again with Trish so much - revisiting memories of my years in the country and finding out about how she's meeting the same sorts of challenges that life throws our way at this stage in our lives where ever we live.

I came home feeling a little challenged, wonderfully stimulated, and utterly refreshed - although that last might have been partly to do with a nice long drive in My Lovely Car's air con too, with Brisbane rejoicing in a typically sultry February!

Have happy days!

Tuesday, January 31, 2012

Bridging moments








Terrific Trev took me to Sydney for the January "long" week-end - to see the Picasso exhibition at the Gallery of New South Wales, to scour Oxford Street, the sales, the city arcades, to visit the markets, and to dine wonderfully at hand-picked venues. He is the king of travel planning, and I am a very lucky crafter as a result.


Before we left we walked along the Harbour Bridge feeder road, overlooking Circular Quay, to the foundation stone above The Rocks. The bridge was opened in March 1932, a week before my mother was born, so that was a bit of a moment as she, and the bridge, turn 80 next month.


And she is eternally grateful that her parents decided NOT to call her 'Sydney Bridgette'.

This week-end I have my first market - the very special Heavenly Harvest in the grounds of St Mary's Church above the southern reach of our very own Story Bridge.


If you have a fondness for Jane Marple's village of St. Mary's Mead, or the Parish of Didley, this is the market for you! You can take tea in a pot with its own eccentric cosy accompanied by home-baked scones seated high above the river on the Kangaroo Point cliffs, rifle the jumble, browse hand-made wares, take a self-guided tour of the church, and go home with farm-fresh fruit and vegies, sweet treats and great bread. It's a bit of a hike, and far from extensive or over-crowded, but that's part of what makes it so special.

And the site fees and other funds raised go straight to the restoration fund for the church.

My other bridge moment coming up is an exhibition in which I'm participating of paintings and other works inspired by our very own Brissie icon, the Story Bridge - not as monumental perhaps, but in its own way as structurally impressive as its southern cousin. I have contributed ten bags and pouches - no paintings on this occasion because I simply ran out of framing time, but thematic sewing is lots of fun, challenging to start with but in the end self-perpetuating. The exhibition opens on February 14th at the Robyn Bauer Studio and Gallery, Paddington (the Brisbane one) and includes work from ten artists.









Enjoy a Fabulous February!

Sunday, January 15, 2012

Vintage Vignettes

For the first time in a few years my sister hasn't brought her family out from London to spend Christmas with Mum and Dad and the rest of us here.

And why does one say "out from London" - are we some sort of outer space in Oz, or do they get let out of a wintry UK, as from the penitentiary?

And does speaking of Oz loudly proclaim my own vintage?

We missed them all, as much as one does miss one's favourite little sister and her lovely hubby and dearest chickadees. But I had a lovely time shopping, in London as it were, on-line for their Christmas and birthday presents (my niece and nephew were born on the 1/1 and 2/1 respectively). I roamed Harrods and Fortnams, browsed Designers Guild and Zara, and shopped at the London Science Museum and Accessorize.


My cyber visits to London reminded me of how much I am drawn to English crafting, English vintage, and English quirkiness generally. I'm not particularly anglophile, but no one does eccentric quite like Britannia.
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Example: Seaside Sisters - who neither live near the seaside, nor are they related, but they work magic nevertheless. The sisterhood comprises three superlative craftspeople: Gillian Elam of Fabric Nation, Linda White of Handmade to Measure and Xtina Lamb of Printed Wonders.



Fabric Nation
Printed Wonders


Example: Supermarket Sarah, whose walls retail to the world her chosen makers.






Vignettes are the name of the game on a visit to London - our visit in 2010 was like a sequence of snapshots - eye-popping or intriguing, kaleidoscopic or misty-viewed.

Viva la quirk!

Rule Britannia! 

©2010 SupermarketSarah

Thursday, December 22, 2011

'Twas the Night before Christmas, and time to take stock...

Mum and Dad
I've been feeling so blessed this year.

My big boys are all finding their paths in adult life, my parents have stayed in excellent health as they both turn 80, Terrific Trev is mellowing and enjoying life more than he has allowed himself to for years!, and I've had the most wonderful time all year ignoring housework and exploring creative avenues in all sort of directions.

small Harry
I've met great people through the markets, both fellow marketeers and also wonderful marketers. I have had good times with old friends and spent wonderful moments with my sister, brother-in-law and their children when they visited. I nursed new great-nephew Harry within hours of his birth - how special does that feel! - and spent time with all of Trevor's wonderful family, including my first visit to his home city, Adelaide, where his 90+ year old Dad still lives. Life is pretty sweet, and I really do feel privileged to be able to say just that.
when my sister came out to visit

Thank-you, dear followers of this blog, for keeping up with my ramblings this year! Have very happy Christmases and stay safe and healthy for 2012!

Thursday, December 8, 2011

A twilight affair


"The city" is a pretty magic place in the nights leading up to Christmas...somewhere I took my boys when they were little to see the lights, the giant Christmas tree in the square, and the Myer windows, and it's where my own parents also took me and my brother and sister when we were small, for much the same purpose.

Debra Lidster's photo of the Myer Christmas windows
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It's great fun to be part of the Christmas events with the Christmas BrisStyle indie Twilight Market this coming Friday night...not just about offering our hand-made goodies for sale as stocking fillers and presents for under the tree in a world where we all have to search harder and harder to find something a bit unusual, a bit special.









It's also about sharing the buzz with the city workers, the families come to see the lights and the tree, those starting out their Friday night festivities, those on their way to pick up trains or buses to get home...the chat is always interesting and stimulating and we all love talking to people who are interested in what we do and why we do it in the happy crafting collective world that's BrisStyle. And the many others we've got to know - the customers, the suppliers, those from allied fields, the extended families, the new babies, those who have faced illness, even a few we've lost along the way. The hand-made world is like a very large, disparate family and I feel very blessed to be part of it.

In BrisStyle we have a little band of special, special people who dedicate a great chunk of their "spare" hours to organising and promoting us and what we do - arranging markets and seminars and workshops, liaising with government agencies and business organisations, supplying us with all sorts of info and suggestions to help us all along our chosen paths, and at the same time still trying to find the time to ply their own crafts.

Peppermint Magazine's photo of a BrisStyle indie Twilight Market in full swing.

So if you are local, come and visit us in King George Square from 5 p.m.  - have a chat, and by all means look around at our wares for some Christmas shopping that's outside the parameters of normal retail shopping. Look forward to seeing you!